In her first collection, Thin Air of the Knowable, the physical landscapes of Wendy Donawa’s life — West Coast, Caribbean, prairies — ground many of her poems and often reflect the inner geography of her preoccupations. A road-trip poem moves from prairie winter, “an icy scatter of gravel / the moving centre of this unpeopled world,” past a cattle liner on its way to the slaughter house, but it also passes beneath the sky’s “blazing scroll of light,” and magpies “flashing black and teal in the sun.” Landscape also functions metaphorically to suggest how historical settings play out in the exigencies of individual lives.
Other preoccupations include poems that reflect on poesis itself — the strange poem-making compulsion to capture that which is largely inexpressible (hence “the thin air of the knowable”), and the role of dreams, memory, and intuition in shaping a poem’s knowledge.
Donawa is, in many ways, a political poet, yet manages to put flesh and blood into everything she writes.
Praise for Thin Air of the Knowable:
“Wendy Donawa’s poetry rests at the very edge of beauty where a wild delicacy resides.” — Patrick Lane
“Like the watchmakers of old, Wendy Donawa puts a spyglass to her eye and fixes her vision to the minute, to all that carries on beneath our imperfect sight—worlds upon worlds brought into the sharpest focus.” — Pamela Porter
“Wendy Donawa’s Thin Air of the Knowable is a rigorous questioning of time–how we perceive it, how we contain it and how we live it. She turns to the artifacts of private and collective experience to craft springboards for her exploration of nostalgia and desire. Her flexing, shifting verse gives us contemporaneity in ancient discovery, “[s]mall beauties“ on the ”demonic journey”, intimacy in strangeness and the endurance of ephemeral moments in memory and story.” — Jury comments, 2018 Gerald Lampert Memorial Award
Materializing Finality — Canadian Literature