Conceived in the same world as their acclaimed debut, Bones, Tyler Pennock’s Blood centres around a protagonist who at first has difficulty knowing the difference between connection and pain, and we move with them as they explore what it means to want. Pennock weaves longing, intimacy, and Anishinaabe relationalities to recentre and rethink their speaker’s relationship to the living — never forgetting non-human kin.
This book is a look at how deep history is represented in the everyday; it also tries to answer how one person can challenge the impacts of that history. It is a reminder that Indigenous people carry the impacts of colonial history and wrestle with them constantly. Blood explores the relationships between spring and winter, ice and water, static things and things beginning to move, and what emerges in the thaw.
Praise for Blood:
“A music as sensitive as it is revelatory.” — Canisia Lubrin, author of The Dyzgraphxst