All the Names Between by Julia McCarthy

Grounded in the experience of presence in which the external and internal meet, a crossroads of consciousness where “a language without a name / remembers us” and the poem is a votive act, All the Names Between reflects the shadow-light of being, of what is and what isn’t, of the seen and the unseen, the forgotten and the remembered; here “every elegy has an ode at its centre / every ode has an elegy around its edges.”

Praise for All the Names Between:

“It is Julia McCarthy’s incomparable eloquence as a poet to, as an experienced photographer might, wield darkness as an ever more powerful lens to reveal the intricate beauty of the world as she finds it. And it is with this extraordinary vision that McCarthy ushers us into her newest collection, All the Names Between, ‘where the dead gather like trees in their white coats’ and bats hover overhead, “lucifugal as ashes from invisible fires.” These are poems scintillant with vision and stunningly intimate—showing us page after page the full and exquisite measure of ‘night’s worth.’” — Clarise Foster, editor of Contemporary Verse 2

“Here is a book of meditations for even those immune to poetry, a poetry with no comfort zones. McCarthy takes readers to a world where the marriage between solitude and nature gives birth to memorable, haunting lines, where the mystery of poetry lies just between the words. I have no doubt readers will embrace this book as their own.” — Goran Simić, author of Immigrant Blues and From Sarajevo, with Sorrow

“The deft poems in All the Names Between move between details of the natural world to the grand and nebulous but never vague imagery of the universe, from “the ditch of a crow’s heart” to “the infinite soliloquies” of the stars. Informed by astronomy, botany, and a vivid inner life, articulated through surprising images, playful diction, nimble connections, and flashes of humour, these poems creep in close to a huge and sometimes dark energy, to “the warp and weft of being and nonbeing.” Julia McCarthy listens to the world, always aware of mortality and the dead—“the weight of the space their absence has made.” Aware, too, of the inadequacy of words and the limitations of text, she spins poems, “because I know no other way/ every elegy has an ode at its centre.” By the end of this nuanced and richly textured book, the world feels huge, our lives more lyrical and connected to the unseen, thanks to a poet who dares to consider big questions.” — Jury Comments, J.M. Abraham Poetry Award

Press Coverage:

Charmed — Canadian Literature  

Review of All the Names Between by Julia McCarthy and The Girls with Stone Faces by Arleen Paré — The Goose