Après Satie — For Two and Four Hands
Poems that echo Satie’s haunting music and refract the ironies of the Parisian Dada movement
A man who might be Erik Satie floats, à la Magritte, above Paris rooftops, thinking of a newly-extinct species of songbirds, “contemplating grief in the absence of song.” By turns tender, wry, playful and fierce, the poems in Dean Steadman’s second collection, Après Satie – For Two and Four Hands, use surreal imagery, recurring characters and cyclical themes to evoke the repetitive nature of much of Satie’s music, as well as the artistic and intellectual temperament of Paris during Satie’s most creative years.
The prose poems in the collection borrow titles from Satie’s piano compositions, and all of the poems are annotated in a manner similar to Satie’s published scores, using a selection of his performance instructions (for example, “like a nightingale with a toothache”).
From the affair of Satie and painter Suzanne Valadon to the glimpsed lives of a contortionist, a French cowboy, a Falling Man, and a Floating Woman in the Dada-inflected prose poems, to the musings in other poetic forms that draw us forward in time, to a present-day hospice, or back, to the gallop of a mounted huntress, Après Satie involves us in the ongoing muddle of pain, sorrow, compassion, passion, joy and curiousness that is our human condition.
“When he died, Erik Satie left twelve grey suits hanging in his closet. With surreal virtuosity Dean Steadman has pulled eighty-four sinuous poems and prose riffs out of their velvet pockets.”—William Aide
“Shifting geography and perspective as easily as form, [these] poems beguile the senses as deftly as a menagerie of circus contortionists.” —Sandra Ridley
- Year-End Reading: League Staff and Board
Lesley Strutt, Associate Members' Representative, League of Canadian Poets blog, December 9, 2016
- Après Satie – For Two and Four Hands – Dean Steadman
Michael Dennis, Today's Book of Poetry, November 15, 2016
- Most Anticipated: Our Spring 2016 Poetry Preview
Kerry Clare, The 49th Shelf, February 1, 2016
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About the Author
Dean Steadman’s work has been widely published in Canadian journals and e-zines, as well as in the anthology Pith and Wry: Canadian Poetry (Scrivener Press, 2010). He is the author of two chapbooks: Portrait w/tulips (Leaf Editions, 2013), and Worm's Saving Day (AngelHousePress, 2015). He was a finalist in the 2011 Ottawa Book Awards for…